Artists Prepare for Full Moon Magic.

Full moon magic was at work, with coral spawning across the breadth of the Great Barrier Reef Australia.

Blue 'stinger suits' over swimsuits, we were crammed into a small dinghy, which circled inside the lagoon at Low Isles, intrepid Louise at the tiller, directing operations. Darkness had given way to bright moonlight and a strange, sulphurous smell pervaded the air as we shone torches into the shallow waters.

Coral eggs plopped and floated in waves to the surface, brightly coloured fish got into the act and joined the frenzied dance as some of our band jumped into the ocean and headed back to land, torches lighting the underwater activity, the trusty lighthouse their beacon.

Less adventurous souls (such as me) enjoyed the excitement from a more comfortable vantage point after Louise pointed out that, once in the water, there was no getting back in the boat!

The experience stayed with us and stimulated conversation well into the night as we planned our likely responses to it.


Low Isles, near Port Douglas at high tide

Low Island at high tide - Port Douglas in the distance.

Creativity at work

Following this initial experience, a theme developed for the exhibition, based around the notion of renewal at that time of the year in North Queensland and the understanding of the fragility of this tiny speck of an island.

Participating artists were all members of the Low isles Protection Society and volunteered their time to care for the island from time-to-time.

Here is a behind-the-scenes look at their preparation for the Low Isles inaugural Sugar Wharf exhibition, which paved the way for the development of the Go Troppo Arts Festival the following year.

Sub-titled, 'a fragile sanctuary' the exhibition premiered at the full moon in November 2006, when coral spawning right across the breadth of the Great Barrier Reef was occurring. Truly full moon magic at work!

About Low Isles

Low Isles comprises two tiny islands, an easy hour's sail from the small resort town of Port Douglas in Far North Queensland.

Low Island is a minute sand cay, with a tropical marine climate, housing an automated lighthouse, a University of Queensland laboratory and a permanent caretaker.

So one would have expected to see lighthouse paintings, perhaps wildlife sculptures as well as references to the need to protect the Great Barrier Reef and something about the island's history as part of the select group of artists' enquiries.

Woody Island, on the other side of the coral lagoon, is mostly mangroves and for much of the year is a closed sanctuary for the the Imperial Pied (or Torres Strait) pigeons, which migrate there in October each year.

Incredibly, one of each pair of pigeons sets off each morning to feast on rainforest fruit on the mainland, returning at dusk with food for their mate and chicks. Artists' exhibition plans, although enjoyable are also a lot of hard work! Much as the pigeons are driven by instinct and the need to survive, so artists are often driven to make their art.

Artists' exhibition preparations

Louise Collier paints near the lighthouse at Low Island



Dwarfed by the lighthouse, island caretaker, Louise Collier, works on an oil painting of the trusty beacon, whose light so often guided her home across the ocean after a day in Port Douglas.





Judy Richards works on her sculpture of Low Isles volunteers in their stinger suits, grouped around the lighthouse.


Judy Richards' whimsical comment on the Low Isles Protection Society members in their blue "stinger" suits is a light-hearted but accurate observation.

Judy Richards' sculpture 'Low Isles Protection Society'


Tania Heben sketches in her painting of Torres Strait pigeons

My first visit to Low Isles was with artist, Tania Heben. The huge numbers of Torres Strait or Imperial Pied pigeons and their constant, mournful 'cooing' as they nested in the bare beach almond trees or nearby Woody Island, made a lasting impression on us.

Here Tania recalls that October as she works on her sketch, 'Imperial Home'.



Christine Eyres paints in her studio

Christine Eyres became enthralled when researching the history of Low Isles. Here she is working in her Cairns studio on the series about Ellen Hannah, whose husband and two children drifted off from the island in a tiny flat-bottomed dinghy in 1907 and were never seen again.

Christine Eyres' painting of a woman and child looking for their  husband and father, lost at sea.


silk soaks in mangrove natural dye bath
Linda Jackson arranges dyed mangrove silk on model
mangrove roots ready for the dye bath

Linda Jackson, under the guidance of the Kuku Yalanji aboriginal people,  collected mangrove roots for dyeing silk. Here you see the roots in a dye-bath and the spectacular results as the dyed fabric is translated into fashion.



'Fishy' watercolour painting by Gail Shaw

Passionate about watercolour, Gail Shaw uses the medium to great effect as seen in her painting on the left.

Accompanied by her small dog, Ting, she puts finishing touches to one of her entries.

Gail Shaw in her studio with Ting.


Anna Curtis works on her linoprint for the Low Isles exhibition.



Anna Curtis works on her lino block for 'Underwater Wonderland'. For a detailed explanation of this process check out this relief printing page.

Detail from 'Underwater Wonderland' lino print by Anna Curtis.




Top of Full Moon Magic

Low Isles Exhibition

Completed Low Isles Artworks

Art in Tropical Australia Home Page









Would you like to be the first to know about Arts matters in Tropical Australia, free stuff, painting tips and so on via my bi-monthly e-newsletter, 'Perspectives'?

email

name

then

Your e-mail address is totally secure.



A pair of Torres Strait pigeons on beach almond tree

Torres Strait pigeons at Low Isles

Nemo peers out from sea grasses at Low Isles

Nemo at Low Isles

'Coral Garden' photograph by David Miller

David Miller 'Coral Garden'

The lighthouse at Low Isles

The lighthouse at Low Isles






Artists at work

Jill Chism arranges her installation of shoes on the beach at Low Isles

Here, environmental artist, Jill Chism, arranges shoes on the beach at Low Island to show the level of tourist visitation to the island. Jill planned and developed several installations on the island as part of the exhibition. She photographed them for inclusion in the exhibition at the Sugar Wharf.


Her involvement in the Low Isles exhibition was part of a wider project about sea-shores.


Helen Low works on her mixed-media painting

Helen Low completing her mixed media painting "The Lighthouse Keeper's Wife", which comments on the loneliness and isolation of women who accompanied their husbands to remote island lighthouse stations in the early part of last century.


Jill Booth works on screenprinting fabric

Jill Booth busily screen-printing a length of silk ready for the artists' exhibition. The fabric design is based on the "painted cray", a large and brightly coloured tropical lobster.


'Painted cray' washed up on rocks at Low Isles

Painted crayfish (lobster) at Low Isles


Anne Engdahl underpaints her canvas.

Anne Engdahl underpaints her oil painting, 'Weather Watch'.


Low Isles exhibition sponsors have their logos displayed in a novel way.

Logos of local businesses which helped to promote and fund the Low Isles exhibition.


By the way, want to learn how to photograph the moon?